With a new wave of restrictions in place to keep us all safe, it looks like we have a little more reading time on our hands so we have decided to dive into the world of literary awards and explore books we may have missed off our reading list.
This week we are diving into the Miles Franklin Literary Shortlist for 2020 and wow, what a great list it is!
Just for a bit of context, the Miles Franklin Literary Award was established by author and feminist Stella Maria Sarah Miles Franklin, who is best known for her first novel My Brilliant Career. The Miles Franklin Awards were first presented in 1957, where the Award celebrates novels of the highest literary merit that tell stories about Australian life.
Let’s take a closer look…
The White Girl by Tony Birch
Odette Brown has lived her whole life on the fringes of a small country town. Raising her granddaughter Sissy on her own, Odette has managed to stay under the radar of the welfare authorities who are removing Aboriginal children from their communities. When the menacing Sergeant Lowe arrives in town, determined to fully enforce the law, any freedom that Odette and Sissy enjoy comes under grave threat. Odette must make an impossible choice to protect her family.
In The White Girl, Tony Birch has created memorable characters whose capacity for love and courage are a timely reminder of the endurance of the human spirit.
Islands by Peggy Frew
There was a house on a hill in the city and it was full of us, our family, but then it began to empty. We fell out. We made a mess. We draped ourselves in blame and disappointment and lurched around, bumping into each other. Some of us wailed and shouted; some of us barely made a sound. None of us was listening, or paying attention. And in the middle of it all you, very quietly, were gone.
Helen and John are too preoccupied with making a mess of their marriage to notice the quiet ways in which their daughters are suffering. Junie grows up brittle and defensive, Anna difficult and rebellious.
When fifteen year old Anna fails to come home one night, her mother’s not too worried; Anna’s taken off before but always returned. Helen waits three days to report her disappearance.
But this time Anna doesn’t come back …
No One by John Hughes
In the ghost hours of a Monday morning a man feels a dull thud against the side of his car near the entrance to Redfern Station. He doesn’t stop immediately. By the time he returns to the scene, the road is empty, but there is a dent in the car, high up on the passenger door, and what looks like blood. Only a man could have made such a dent, he thinks. For some reason he looks up, though he knows no one is there. Has he hit someone, and if so, where is the victim? So begins a story that takes us to the heart of contemporary Australia’s festering relationship to its indigenous past. A story about guilt for acts which precede us, crimes we are not sure we have committed, crimes gone on so long they now seem criminal-less. Part crime novel, part road movie, part love story, No One takes its protagonist to the very heart of a nation where non-existence is the true existence, where crimes cannot be resolved and guilt cannot be redeemed, and no one knows what to do with ghosts that are real.
The Returns by Philip Salom
The Returns is a story about the eccentricities, failings and small triumphs that humans are capable of, a novel that pokes fun at literary and artistic pretensions, while celebrating the expansiveness of art, kindness and friendship.
Elizabeth posts a ‘room for rent’ notice in Trevor’s bookshop and is caught off-guard when Trevor answers the ad himself. She expected a young student not a middle-aged bookseller whose marriage has fallen apart. But Trevor is attracted to Elizabeth’s house because of the empty shed in her backyard, the perfect space for him to revive the artistic career he abandoned years earlier. The face-blind, EH Holden-driving Elizabeth is a solitary and feisty book editor, and she accepts him, on probation…
In this poignant yet upbeat novel the past keeps returning in the most unexpected ways. Elizabeth is at the beck and call of her ageing mother, and the associated memories of her childhood in a Rajneesh community. Trevor’s Polish father disappeared when Trevor was fifteen, and his mother died not knowing whether he was dead or alive. The authorities have declared him dead, but is he?
Exploded View by Carrie Tiffany
Spare, poetic and intensely visual, Exploded View is the powerful new novel from the author of Everyman’s Rules for Scientific Living and Mateship with Birds. Carry Tiffany is one of Australia’s most celebrated writers and winner of the inaugural Stella Prize.
Must a girl always be a part?
How can she become a whole?
In the late 1970s, in the forgotten outer suburbs, a girl has her hands in the engine of a Holden. A sinister new man has joined the family. He works as a mechanic and operates an unlicensed repair shop at the back of their block.
The family is under threat. The girl reads the Holden workshop manual for guidance. She resists the man with silence, then with sabotage. She fights him at the place where she believes his heart lives; in the engine of the car.
The Yield by Tara June Winch
The yield in English is the reaping, the things that man can take from the land. In the language of the Wiradjuri yield is the things you give to, the movement, the space between things: baayanha. Knowing that he will soon die, Albert ‘Poppy’ Gondiwindi takes pen to paper. His life has been spent on the banks of the Murrumby River at Prosperous House, on Massacre Plains. Albert is determined to pass on the language of his people and everything that was ever remembered. He finds the words on the wind. August Gondiwindi has been living on the other side of the world for ten years when she learns of her grandfather’s death. She returns home for his burial, wracked with grief and burdened with all she tried to leave behind. Her homecoming is bittersweet as she confronts the love of her kin and news that Prosperous is to be repossessed by a mining company. Determined to make amends she endeavours to save their land, a quest that leads her to the voice of her grandfather and into the past, the stories of her people, the secrets of the river. Profoundly moving and exquisitely written, Tara June Winch’s The Yield is the story of a people and a culture dispossessed. But it is as much a celebration of what was and what endures, and a powerful reclaiming of Indigenous language, storytelling and identity.