Many of us are staying safe at home and so we thought you may want a little something to look forward to, so, on the blog this Thursday we’re taking a closer look at the hottest pre orders that are heading to stores soon.
Books being adapted into films have always caused a stir as some will always prefer the book and others are die-hard movie fans. Later this week we’ll be taking a look at the latest books being transformed onto screen.
The White Book is a meditation on colour, beginning with a list of white things. It is a book about mourning, rebirth and the tenacity of the human spirit. It is a stunning investigation of the fragility, beauty and strangeness of life and it is today’s Book of the World.
Later this week we are reviewing the Goodreads Choice Awards as many of us are still staying safe at home and our reading lists are requiring new suggestions. But for today, we have a little gem to help start your week.
This week on the blog we’ll take a closer look at the Inky Awards, share a great Ted talk and we’ll be asking about your hypothetical book writing plans. But to start the week off, we have this little gem for you.
While staying safe at home we are continuing our journey into the world of award winning books with a look at some of the Pulitzer Prize winners that were announced in April. Last week we took a look at the Miles Franklin Literary Shortlist for 2020, which you can read here.
The Pulitzer Prize is an award for achievements in newspaper, magazine and online journalism, literature, and musical composition in the United States. It was established in 1917 by provisions in the will of Joseph Pulitzer.
There are a number of categories, you can see them all here, so we have chosen our top 6 books from the genres of fiction, drama, history, biography and general non-fiction. The winners all share stories, some true, others fictional, but all important and worth reading.
Elwood Curtis has taken the words of Dr Martin Luther King to heart: he is as good as anyone. Abandoned by his parents, brought up by his loving, strict and clearsighted grandmother, Elwood is about to enrol in the local black college. But given the time and the place, one innocent mistake is enough to destroy his future, and so Elwood arrives at The Nickel Academy, which claims to provide ‘physical, intellectual and moral training’ which will equip its inmates to become ‘honourable and honest men’. In reality, the Nickel Academy is a chamber of horrors, where physical, emotional and sexual abuse is rife, where corrupt officials and tradesmen do a brisk trade in supplies intended for the school, and where any boy who resists is likely to disappear ‘out back’. Stunned to find himself in this vicious environment, Elwood tries to hold on to Dr King’s ringing assertion, ‘Throw us in jail, and we will still love you.’ But Elwood’s fellow inmate and new friend Turner thinks Elwood is naive and worse; the world is crooked, and the only way to survive is to emulate the cruelty and cynicism of their oppressors. The tension between Elwood’s idealism and Turner’s skepticism leads to a decision which will have decades-long repercussions. Based on the history of a real reform school in Florida that operated for one hundred and eleven years and warped and destroyed the lives of thousands of children, The Nickel Boys is a devastating and driven narrative.
A Strange Loop has been performed as a musical however it is being published in book form in September this year. You can pre order a copy by clicking through the link above.
A Strange Loop is a metafictional musical that tracks the creative process of an artist transforming issues of identity, race, and sexuality that once pushed him to the margins of the cultural mainstream into a meditation on universal human fears and insecurities. Usher is a black, queer writer, working a day job he hates while writing his original musical: a piece about a black, queer writer, working a day job he hates while writing his original musical. Michael R. Jackson’s blistering, momentous new musical follows a young artist at war with a host of demons, not least of which, the punishing thoughts in his own head, in an attempt to capture and understand his own strange loop.
Born into slavery, Henrietta Wood was taken to Cincinnati and legally freed in1848. In 1853, a Kentucky deputy sheriff named Zebulon Ward colluded with Wood’s employer, abducted her, and sold her back into bondage. She remained enslaved throughout the Civil War, giving birth to a son in Mississippi and never forgetting who had put her in this position.
By 1869, Wood had obtained her freedom for a second time and returned to Cincinnati, where she sued Ward for damages in 1870. Astonishingly, after eight years of litigation, Wood won her case: in 1878, a Federal jury awarded her $2,500. The decision stuck on appeal. More important than the amount, though the largest ever awarded by an American court in restitution for slavery, was the fact that any money was awarded at all. By the time the case was decided, Ward had become a wealthy businessman and a pioneer of convict leasing in the South. Wood’s son later became a prominent Chicago lawyer, and she went on to live until 1912.
McDaniel’s book is an epic tale of a black woman who survived slavery twice and who achieved more than merely a moral victory over one of her oppressors. Above all, Sweet Taste of Liberty is a portrait of an extraordinary individual as well as a searing reminder of the lessons of her story, which establish beyond question the connections between slavery and the prison system that rose in its place.
Susan Sontag was a great literary star. Her brilliant, serious mind combined with her striking image, her rigorous intellectualism and her groundbreaking inquiries into what was then seen as ‘low culture’ – celebrity, photographs, camp – propelled her into her own unique, inimitable category and made her famous the world over, emblematic of twentieth-century New York literary glamour.
Today we need her ideas more than ever. Her writing on art and politics, feminism and homosexuality, celebrity and style, medicine and drugs, radicalism, Fascism, Freudianism, Communism and Americanism, forms an indispensable guide to our modern world. Sontag was present at many of the most crucial events of the twentieth century: when the Cuban Revolution began, and when the Berlin Wall came down, in Vietnam under American bombardment, in wartime Israel and in besieged Sarajevo. Sontag tells these stories and examines her work, as well as exploring the woman behind Sontag’s formidable public face: the broken relationships, the struggles with her sexuality, her agonising construction of herself and her public myth.
Sontag is the first biography based on exclusive access to her restricted personal archives and on hundreds of interviews conducted with many people around the world who spoke freely for the first time about Susan Sontag, including Annie Leibovitz. It is a definitive portrait of an endlessly complex, dazzling woman; one of the twentieth century’s greatest thinkers, who lived one of its most fascinating lives.
Ever since this nation’s inception, the idea of an open and ever-expanding frontier has been central to American identity. Symbolising a future of endless promise, it was the foundation of the United States’ belief in itself as an exceptional nation; democratic, individualistic, forward-looking. Today, though, America has a new symbol: the border wall.
In The End of the Myth, acclaimed historian Greg Grandin explores the meaning of the frontier throughout the full sweep of U.S. history from the American Revolution to the War of 1898, the New Deal to the election of 2016. For centuries, he shows, America’s constant expansion, fighting wars and opening markets, served as a “gate of escape,” helping to deflect domestic political and economic conflicts outward. But this deflection meant that the country’s problems, from racism to inequality, were never confronted directly. And now, the combined catastrophe of the 2008 financial meltdown and our un-winnable wars in the Middle East have slammed this gate shut, bringing political passions that had long been directed elsewhere back home.
It is this new reality, Grandin says, that explains the rise of reactionary populism and racist nationalism, the extreme anger and polarisation that catapulted Trump to the presidency. The border wall may or may not be built, but it will survive as a rallying point, an allegorical tombstone marking the end of American exceptionalism.
The Undying by Anne Boyer – Winner of General Non-Fiction
A week after her forty-first birthday, the acclaimed poet Anne Boyer was diagnosed with highly aggressive triple-negative breast cancer. For a single mother living pay-check to pay-check who had always been the caregiver rather than the one needing care, the catastrophic illness was both a crisis and an initiation into new ideas about mortality and the gendered politics of illness.
A twenty first century Illness as Metaphor, as well as a harrowing memoir of survival, The Undying explores the experience of illness as mediated by digital screens, weaving in ancient Roman dream diarists, cancer hoaxers and fetishists, cancer vloggers, corporate lies, John Donne, pro-pain ”dolorists,” the ecological costs of chemotherapy, and the many little murders of capitalism. It excoriates the pharmaceutical industry and the bland hypocrisies of ”pink ribbon culture” while also diving into the long literary line of women writing about their own illnesses and ongoing deaths: Audre Lorde, Kathy Acker, Susan Sontag, and others.
A genre-bending memoir in the tradition of The Argonauts, The Undying will break your heart, make you angry, and show you contemporary America as a thing both desperately ill and occasionally, perversely glorious.
With a new wave of restrictions in place to keep us all safe, it looks like we have a little more reading time on our hands so we have decided to dive into the world of literary awards and explore books we may have missed off our reading list.
This week we are diving into the Miles Franklin Literary Shortlist for 2020 and wow, what a great list it is!
Just for a bit of context, the Miles Franklin Literary Award was established by author and feminist Stella Maria Sarah Miles Franklin, who is best known for her first novel My Brilliant Career. The Miles Franklin Awards were first presented in 1957, where the Award celebrates novels of the highest literary merit that tell stories about Australian life.
Odette Brown has lived her whole life on the fringes of a small country town. Raising her granddaughter Sissy on her own, Odette has managed to stay under the radar of the welfare authorities who are removing Aboriginal children from their communities. When the menacing Sergeant Lowe arrives in town, determined to fully enforce the law, any freedom that Odette and Sissy enjoy comes under grave threat. Odette must make an impossible choice to protect her family.
In The White Girl, Tony Birch has created memorable characters whose capacity for love and courage are a timely reminder of the endurance of the human spirit.
This is a spellbinding novel with a riveting and brilliant portrait of a family in crisis by the breathtakingly talented author of House of Sticks and Hope Farm.
There was a house on a hill in the city and it was full of us, our family, but then it began to empty. We fell out. We made a mess. We draped ourselves in blame and disappointment and lurched around, bumping into each other. Some of us wailed and shouted; some of us barely made a sound. None of us was listening, or paying attention. And in the middle of it all you, very quietly, were gone.
Helen and John are too preoccupied with making a mess of their marriage to notice the quiet ways in which their daughters are suffering. Junie grows up brittle and defensive, Anna difficult and rebellious.
When fifteen year old Anna fails to come home one night, her mother’s not too worried; Anna’s taken off before but always returned. Helen waits three days to report her disappearance.
In the ghost hours of a Monday morning a man feels a dull thud against the side of his car near the entrance to Redfern Station. He doesn’t stop immediately. By the time he returns to the scene, the road is empty, but there is a dent in the car, high up on the passenger door, and what looks like blood. Only a man could have made such a dent, he thinks. For some reason he looks up, though he knows no one is there. Has he hit someone, and if so, where is the victim? So begins a story that takes us to the heart of contemporary Australia’s festering relationship to its indigenous past. A story about guilt for acts which precede us, crimes we are not sure we have committed, crimes gone on so long they now seem criminal-less. Part crime novel, part road movie, part love story, No One takes its protagonist to the very heart of a nation where non-existence is the true existence, where crimes cannot be resolved and guilt cannot be redeemed, and no one knows what to do with ghosts that are real.
The Returns is a story about the eccentricities, failings and small triumphs that humans are capable of, a novel that pokes fun at literary and artistic pretensions, while celebrating the expansiveness of art, kindness and friendship.
Elizabeth posts a ‘room for rent’ notice in Trevor’s bookshop and is caught off-guard when Trevor answers the ad himself. She expected a young student not a middle-aged bookseller whose marriage has fallen apart. But Trevor is attracted to Elizabeth’s house because of the empty shed in her backyard, the perfect space for him to revive the artistic career he abandoned years earlier. The face-blind, EH Holden-driving Elizabeth is a solitary and feisty book editor, and she accepts him, on probation…
In this poignant yet upbeat novel the past keeps returning in the most unexpected ways. Elizabeth is at the beck and call of her ageing mother, and the associated memories of her childhood in a Rajneesh community. Trevor’s Polish father disappeared when Trevor was fifteen, and his mother died not knowing whether he was dead or alive. The authorities have declared him dead, but is he?
In the late 1970s, in the forgotten outer suburbs, a girl has her hands in the engine of a Holden. A sinister new man has joined the family. He works as a mechanic and operates an unlicensed repair shop at the back of their block.
The family is under threat. The girl reads the Holden workshop manual for guidance. She resists the man with silence, then with sabotage. She fights him at the place where she believes his heart lives; in the engine of the car.
The yield in English is the reaping, the things that man can take from the land. In the language of the Wiradjuri yield is the things you give to, the movement, the space between things: baayanha. Knowing that he will soon die, Albert ‘Poppy’ Gondiwindi takes pen to paper. His life has been spent on the banks of the Murrumby River at Prosperous House, on Massacre Plains. Albert is determined to pass on the language of his people and everything that was ever remembered. He finds the words on the wind. August Gondiwindi has been living on the other side of the world for ten years when she learns of her grandfather’s death. She returns home for his burial, wracked with grief and burdened with all she tried to leave behind. Her homecoming is bittersweet as she confronts the love of her kin and news that Prosperous is to be repossessed by a mining company. Determined to make amends she endeavours to save their land, a quest that leads her to the voice of her grandfather and into the past, the stories of her people, the secrets of the river. Profoundly moving and exquisitely written, Tara June Winch’s The Yield is the story of a people and a culture dispossessed. But it is as much a celebration of what was and what endures, and a powerful reclaiming of Indigenous language, storytelling and identity.