Our Six Favourite Graphic Novels

Graphic Novels are long-form stories told mainly through drawings. They are now recognised as an important medium for storytelling, both for fiction and non-fiction, for adults as well as for children. Parents and educators are also discovering their benefits in encouraging reading and developing literacy. You can find graphic novels in a huge range of art styles and subject matter – and the diversity is growing daily! Dive into this format through these recent bestsellers:

Smile by Raina Telgemeier
It all starts here – reading Raina Telgemeier is practically a rite of passage for tweens and early teens. Whether it’s her own stories, or her adaptation of the iconic Babysitter Club series, readers just can’t get enough of her observant and empathic stories of the drama and tensions of growing up. Smile is her memoir, starting in her Sixth Grade, when she had a string of dental procedures – including braces – after a painful accident. Add in fickle friends, first crushes, and finding her own identity, and you get a heartfelt rite-of-passage story reminiscent of Judy Blume.

The Sad Ghost Club by by Lize Meddings
The Sad Ghost Club is centred around mental health, and is a great conversation-starter with tweens, while still providing a rich, reflective experience for teens and adults. It is about SG (Sad Ghost), who struggles with anxiety about school and feelings of loneliness. SG agonises over whether to go to a party, feeling nervous about not fitting in. After an awkward start to the party, SG meets Socks, and together they form the Sad Ghost Club, a secret society for the anxious and alone, a club for people who think they don’t belong. The Sad Ghost Club is a sweet, quietly optimistic story with a fresh and on-point analogy for depression, and presenting totally relatable situations.

Heartstopper series by Alice Oseman
Alice Oseman is both an accomplished novelist and artist – their popular Heartstopper series focuses on Nick and Charlie, characters from their first novel Solitaire. This adorable LGBT+ webcomic is now available in book form! Heartstopper volume 1 sees the beginning of Nick and Charlie’s blossoming romance, from their meeting in their newly-organised “vertical classroom”, to their first kiss. Heartstopper is upbeat, but does not shy away from depicting the difficulties of being queer teens, and is lauded for being relatable and a realistic portrayal of contemporary teenage life.

Future Girl by Asphyxia
The first thing you will notice about Future Girl is that it is a beautiful object – textured cover, heavy paper, packed with colourful art. This art/prose hybrid is not strictly a graphic novel, but deserves attention for its striking format and subject matter. Future Girl is set in a dystopian, near-future Melbourne whose heroine, Piper, is based on the author’s own experience. Piper is a deaf girl who relies on hearing aids and speech for communication. When an environmental catastrophe strikes, she defies the authorities by learning to grow her own food – through which she is introduced to sign language, and a Deaf community who does not view its differences as deficits. Future Girl is an an enthralling and heartfelt coming-of-age story from Deaf artist/writer/activist Asphyxia.

They Call Us Enemy by George Takei and Justin Eisinger
The graphic novel format has been used as an eloquent tool for exploring, and inviting understanding of, social causes. They Call Us Enemy is one such award-winning example – it describes how a young George Takei – now beloved Star Trek actor and activist – and his family were incarcerated in a World War 2 camp for Japanese Americans. Their personal experiences fighting for safety and survival are juxtaposed upon descriptions of the social-political controversy surrounding this unjust practice. They Call Us Enemy is an emotional story that will resonate across many age groups, and offers powerful reflections upon the current issues of hate speech, institutional racism and racial profiling.

The Mental Load: a Feminist Comic by Emma
Not everyone can coin a powerful term that sparks a global discussion – French comic artist Emma did just that, when she drew an essay about women’s “Mental Load”, the invisible labour and unpaid organising that we do for others, an issue that disproportionately impacts women.  This piece now headlines this collection of graphic essays on everyday feminist issues – sexism in the workplace, objectification, motherhood, women’s health. The topics and examples are instantly recognisable. Follow up with its recently-released companion volume, The Emotional Load.